
Landscape, Hongzhi Period (1488-1505), c. 1500
Shen Zhou, Chinese
Ink on paper
11 feet 3 inches x 3 feet 3 3/4 inches (342.9 x 101 cm)
Mount: 14 feet 4 1/2 inches x 4 feet 5 inches (438.2 x 134.6 cm)
Gift of Alice Boney, 1975
1975-20-1
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Looking Questions
- Beginning at the bottom, let your eyes
wander up this hanging scroll.
What do you see?
- How did the artist achieve so many
gradations of color using only black ink?
- Do your eyes move more slowly over
certain parts of the painting?
Where?
Where do your eyes move more quickly?
- How does water lead your eyes through
the painting?
Research Project: Landscape Comparisons
The Chinese word for landscape is
shanshui (shan-shway), meaning "mountains and water." In nineteenth-century France, painters of the Impressionist and Post-Impressionist movements,
like Claude Monet, Camille Pissarro, Vincent van Gogh, and Paul Cézanne, were also fascinated with painting mountains, water, and sky. Have students research one of these artists and compare their works to Shen Zhou's sixteenth-century landscape painting style. What are the best qualities of each? Why have landscapes fascinated so many artists the world over?
Group Activity: Imagined Landscapes
Nature is the favorite inspiration for
Chinese artists and poets. Often the natural
world they describe is not a real place but
an imagined one. Have each student write
about an ideal place in nature. They might
imagine they are walking with friends,
describing every element in detail (plants,
animals, shapes, colors, smells, and
sounds). Next, have students exchange
papers with a partner. Each partner
should read the description and then try
illustrating it using colored pencils.
Finally, have partners share their work,
discussing how accurately the illustrator
captured the author’s imagined place.