Yoon Kwang-cho, Korean
Porcellaneous stoneware with underglaze white slip decoration (buncheong ware)
13 3/8 x 5 1/2 inches (34 x 14 cm)
Gift of the artist, 2003
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About This Pottery
A contemporary Korean ceramist, Yoon Kwang-cho, made this
unique ceramic piece. Yoon is particularly fascinated by
ceramic wares, and has studied them extensively. Early in his career, in order to learn more about this type of Korean
pottery, he traveled to Japan to study at a kiln where Korean
potters worked four hundred years earlier.
The words on the surface of this vessel are from the Hunmin
("Proper Sounds to Instruct the People"), the edict, issued
in 1446, by King Sejong in which he presented the newly created
Korean alphabet. King Sejong invented a Korean alphabet system,
, to provide a way of expressing written thoughts that was
easier than the Chinese characters mainly used by the educated
literati class. Read more about the Korean alphabet in the Teacher Resource for He Who Tries to Travel Two Roads
This vessel was built with three slabs making a triangular
tower. To make marks on his vessels, Yoon uses very simple tools
made from found objects like straw, umbrella wires, and nails.
Yoon used Korea’s indigenous inlay technique called sanggam
to create the written words on the pot (see Cosmetic Box
). First, he cut the characters into the clay with a sharp tool. Then he filled the lines with white slip. The upper part of this piece was also dipped into white slip before firing.
Yoon Kwang-cho creates his pottery in today’s world and nature.
He takes his inspiration from the world around him and ancient
Korean craft techniques. He has named this vessel Kaos
means disorder and confusion, the same as the English word “chaos.”
When he made this ceramic, he thought of all of the changes and
distractions of modern Korean life, and wanted to look back to older
texts and traditional art forms to find peace and harmony in his
This object is included in
Learning from Asian Art: Korea, a teaching kit developed by the Division of Education and made possible by a grant from the Freeman Foundation of New York and Stowe, Vermont.