This exhibition includes thirteen examples by leading Southern quilt makers. The collection was formed between 1981 and 1983 while Ms. Torrey was conducting fieldwork on African American quilt-making with Maud Southwell Wahlman.

The mysterious Thomas Chambers arrived in the United States from England in 1832, worked for three decades as a marine and landscape painter, and then disappeared after 1866, leaving behind a boldly expressive and puzzling body of work. This exhibition—the first major survey of Chambers’ work since his rediscovery in 1942—seeks to define his style, examine his sources, and investigate the popular audience for landscape and marine painting in the mid-nineteenth century.

What makes a king or noble honorable? How does a hero act? The seven illustrations in this exhibition come from manuscripts created in the sixteenth and seventeenth centuries under the Safavid rulers of Iran (Persia) and the Mughals of India. Each demonstrates a feat of heroism or an act of justice befitting a good Islamic ruler.

This exhibition brings together over twenty-five drawings, prints, and watercolor paintings to explore “contemporary” art on the Indian subcontinent over the past century, a period that witnessed dramatic social and artistic transformations.