Mahavira's Initiation (recto); Mahavira Assaulted By the Cowherds (verso)
Folio 45 from a dispersed Kalpasutra (Story of the Jina Mahavira)
Artist/maker unknown, Indian
Geography:
Made in Jaunpur, Uttar Pradesh, India, Asia
Date:
Manuscript dated 1465Medium:
Opaque watercolor, ink, and gold on paperDimensions:
Sheet: 4 1/2 × 11 1/2 inches (11.4 × 29.2 cm)Curatorial Department:
South Asian ArtObject Location:
2004-149-3a,bCredit Line:
125th Anniversary Acquisition. Alvin O. Bellak Collection, 2004
Made in Jaunpur, Uttar Pradesh, India, Asia
Date:
Manuscript dated 1465Medium:
Opaque watercolor, ink, and gold on paperDimensions:
Sheet: 4 1/2 × 11 1/2 inches (11.4 × 29.2 cm)Curatorial Department:
South Asian ArtObject Location:
Currently not on view
Accession Number:2004-149-3a,bCredit Line:
125th Anniversary Acquisition. Alvin O. Bellak Collection, 2004
Label:
This page comes from a landmark manuscript in the history of early Indian painting that bears both a date (1465) and place of production (Jaunpur). Jaunpur was home to one of the regional Muslim sultanates whose influence expanded in the fifteenth century, yet this sacred text bears no connection to Islam. The Kalpasutra tells about the life of Mahavira, the last of the twenty-four savior-saints of Jainism, an indigenous religion of India. Since Jains consider commissioning lavish copies of the Kalpasutra and donating them to monastic libraries an act of devotion that accrues spiritual merit, many such versions were made and constitute some of the earliest surviving illustrated Indian manuscripts. The bold composition and primary colors, figures with frontal bodies and profile heads, and stylized landscape elements are typical of indigenous painting.
This page comes from a landmark manuscript in the history of early Indian painting that bears both a date (1465) and place of production (Jaunpur). Jaunpur was home to one of the regional Muslim sultanates whose influence expanded in the fifteenth century, yet this sacred text bears no connection to Islam. The Kalpasutra tells about the life of Mahavira, the last of the twenty-four savior-saints of Jainism, an indigenous religion of India. Since Jains consider commissioning lavish copies of the Kalpasutra and donating them to monastic libraries an act of devotion that accrues spiritual merit, many such versions were made and constitute some of the earliest surviving illustrated Indian manuscripts. The bold composition and primary colors, figures with frontal bodies and profile heads, and stylized landscape elements are typical of indigenous painting.