Covered Jar

Jacob Scholl, American, 1781 - 1851

Geography:
Made in Upper Salford Township, Montgomery County, Pennsylvania, United States, North and Central America

Date:
1820-1840

Medium:
Red earthenware, lead glaze, white slip (for sgraffito decoration), copper oxide and cobalt blue

Dimensions:
8 1/4 x 5 1/2 inches (21 x 14 cm)

Curatorial Department:
American Art

* Gallery 115, American Art, first floor (Johnson Gallery)

Accession Number:
1892-45,a

Credit Line:
Gift of John T. Morris, 1892

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This covered jar was made from high-quality clay found under the wet topsoil of Pennsylvania's low-lying plains. Southeastern Pennsylvania's terrain could support farms on the topsoil and potteries on the subsoil, so by 1810 potteries could be found in almost every township in Buck's County.

Jacob Scholl is the potter, and his father, Michael Scholl, established their pottery near Tylersport in the early part of the nineteenth century. The work of the potter fit into the agricultural calendar. The clay was dug in the fall: topsoil was cleared and a foot-deep layer of clay was sliced and shoveled into a wagon, hauled to the pottery, and stacked. Before freezing weather, the clay was carried in baskets and dumped into a mill - a round tub with a revolving post set with blades. A horse harnessed to a sweep walked slowly around the tub, turning the blades. Water was flushed through to clean the clay and the resulting mass of plastic earth turned gray to yellow. The clay was then shaped into one hundred pound blocks and stored in a cellar where it was kept moist but would not freeze.

This jar's cylindrical shape was formed by the potter on his wheel, which was rotated at variable speeds by the potter pushing a foot wheel, which in turn was connected to a balance wheel, allowing for smooth and continuous rotation.

Colorful slip (an opaque glaze) and sgraffito (incised) ornamented objects, such as this one, were the presentation pieces of the rural potter. The cream-colored slip was applied when the ware was damp, and the sgraffito flowers were colored green with copper oxide and blue with cobalt. Sgraffito decoration was a technique highly developed by Pennsylvania potters. Outlines and solid areas were scratched through a coating of slip to reveal the red under clay, which then shone red through the glaze.


* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.