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East Asian Art

Document Box with Design of Lotuses

Made in Japan, Asia

Meiji Period (1868-1912), c. 1875

Artist/maker unknown, Japanese

Lacquer on wood with gold and silver maki-e (sprinkled design)
5 1/4 x 11 1/2 x 11 1/2 inches (13.3 x 29.2 x 29.2 cm)

Currently not on view

2008-7-1a,b

Gift of Frederick R. McBrien III, 2008

Label

Although the name of its craftsman is not known, this document box is a superb example of lacquerware from the early Meiji period. The first decade of the era was particularly noteworthy for the fine workmanship applied to all crafts, with the intention of competing on the world market. Here a raised design of lotus leaves and blossoms, some with "wormholes," stands out boldly against a black lacquer ground with powdered gold sprinkled throughout. The lotus motif continues along the four sides of the box, where the lotus stems rise from the swirling waters of a pond.

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Additional information:
  • PublicationThe Art of Japanese Craft: 1875 to the Present

    Lacquer is prepared from the purified sap of the lac tree and applied in multiple layers. Japanese craftsmen invented unique techniques for decorating lacquer, among them one called maki-e (literally, "sprinkled picture"). While the surface is still damp, finely ground gold and silver powders are applied to the design. Although the name of the craftsman is not known, this document box is a superb example of lacquer ware from the early Meiji period. The first decade of the era was particularly noteworthy for the fine workmanship applied to all crafts, with the intention of competing on the world market. Here, a raised design of lotus leaves and blossoms, some with "worm holes," stands out boldly against the black lacquer ground with powdered gold sprinkled throughout. The lotus motif continues along the four sides of the box, where the lotus stems rise from the swirling waters of a pond. The interiors of the box and lid feature scattered lotus petals, patterned with fine lines, crane crests, lions and various blossoms on a powdered gold black ground. Felice Fischer, from The Art of Japanese Craft: 1875 to the Present, Philadelphia Museum of Art Bulletin (2008), p. 17.