'Noli Me Tangere'
Follower of Pieter Coecke van Aelst, Netherlandish (active Antwerp), 1502 - 1550
Made in Southern Netherlands (modern Belgium), Europe Date:
Tempera on panelDimensions:
20 1/2 x 10 13/16 inches (52 x 27.5 cm)Curatorial Department:
* Gallery 255, European Art 1500-1850, second floorAccession Number:
Purchased with Museum funds from the George Grey Barnard Collection, 1945
Chapel, Château de Pagny, near Dijon, France; transferred in the mid-nineteenth century by the Duc d'Uzès to Château de Wideville, Seine-et-Oise; Comte [or Marquis] de Galard ; "Château de W." sale, Galerie Georges Petit, Paris, April 25, 1921, no. 35. George Grey Barnard (1863-1938), New York, probably after 1925 and definitely by 1937 ; Barnard Estate, temporarily housed at Barnard's Cloisters, Washington Heights, New York, 1938-1945; sold to PMA, 1945 .
1. See Paul Court, "Vente du retable de la chapelle du château de Pagny," Mémoires de la commission des antiquités du département de la Côte-d'Or, vol. 17, 1913-21, p. 583. The retable passed into the Galard family through the marriage of the daughter of the Duc d'Uzès, Elisabeth de Crussol, to Louis Marie Hector, Marquis de Galard, in 1865. The 1921 sale catalogue notes that the retable was in the possession of "M. le comte de Galard".
2. After the sale of Barnard's first collection to the Metropolitian Museum of Art in 1925, he formed his second collection, including this altarpiece, between 1925 and his death in 1938. This work is listed in a press release on the collection issued by Barnard in 1937.
3. For the provenance see Fiske Kimball, "The George Grey Barnard Collection," PMA Bulletin, vol. 40, no. 205, March 1945, n.p.; David DuBon, "A Note on the Pagny Retable", PMA Bulletin, vol. 56, no. 267, Autumn 1960, p. 39-40, and Peter C. Sutton, Northern European Paintings in the Philadelphia Museum of Art: From the Sixteenth through the Nineteenth Century, Philadelphia, 1990, no. 22, p. 58-64.
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