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American Art

High Chest of Drawers

Made in Philadelphia, Pennsylvania, United States

1765-75

Carved by Nicholas Bernard and Martin Jugiez, American, active as partners 1762 - 1783

Mahogany, yellow poplar, white cedar, yellow pine; brass
8 feet 3/4 inches x 46 1/2 x 25 3/4 inches (245.7 x 118.1 x 65.4 cm)

* Gallery 286, American Art, second floor

1957-129-1

Gift of Mrs. Henry V. Greenough, 1957

Label

After the British left Philadelphia in May 1778, the entire contents of a household still refusing to pledge allegiance to the cause for American independence could be confiscated and sold for the benefit of the Continental Army. Confiscation sales first took place in Pennsylvania in 1778 and continued through the 1780s. It is believed that this mahogany high chest, made in Philadelphia between 1765 and 1775 and resplendent with carving, went through the process of confiscation and sale. The name "James Milligan" across the backboards of the high chest refers to the Philadelphia city official James Milligan, who served in several treasury-related roles in the patriot government during this period and likely had a hand in this process. His name is written first in pen with the date 1783 and then again in chalk with the date 1784.

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Additional information:
  • PublicationPhiladelphia Museum of Art: Handbook of the Collections

    The impressive scale and bold ornament of this Philadelphia high chest, produced during the height of the taste for the Rococo, demonstrates the sophistication and talent of American cabinetmakers working in this style during the last half of the eighteenth century. Its ornately carved pediment is balanced by the light rocaille trails of flowers and vines along the sides, the relief-carved vignette at the bottom, and the boldly scrolled decorations along the undulating skirt and the S-curved cabriolle legs. The production of such an elaborate piece of furniture was a collaborative process, with joiners constructing the case that carvers Bernard and Jugiez then ornamented. Here the strong architectonic proportions of the case have determined the placement of its decorative carving. The scene of the fox and grapes depicted on both the bottom drawer of this chest and its matching dressing table was probably based on motifs derived from folk tales published in the eighteenth century. Jack L. Lindsey, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 263.

* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.