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Indian and Himalayan Art

Krishna and the Gopis Exchange Roles
Page from a dispersed series of the Bhagavata Purana

Made in Gujarat, India
Probably made in Surat

c. 1720

Artist/maker unknown, India, Gujarat, probably Surat

Opaque watercolor and gold on paper

10 1/2 x 9 inches (26.7 x 22.9 cm)

* Gallery 227, Asian Art, second floor (Wood Gallery)

1959-93-62

Gift of Mr. and Mrs. Lessing J. Rosenwald, 1959

Gallery Label

In the two scenes at the top of this page, Krishna dances for a seated gopi and a gopi dances for Krishna. In similarly mirror images at the bottom, Krishna honors a gopi who plays a vina (stringed instrument) and a gopi honors flute-playing Krishna. Although this scene is not described explicitly in the Bhagavata Purana, it is implied in Krishna's statement that real love must be reciprocal-and as devotees cherish a deity, so Krishna is devoted to his followers. Such playful interchanges of identity between Krishna and his lover became a favorite theme of later devotional poetry and imagery, where the gopi is usually specified as Radha.

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* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.

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