A very small number of fourteenth-century Italian embroideries survive today. Only one example, a cloth for the front of an altar (1336), can be dated and ascribed to a known Florentine embroiderer, Jacopo Cambi. A second example, signed by Geri di Lapo, can be dated to around 1346–48 on the basis of its stylistic relationship to the shop of the painter Bernardo Daddi. Although the orphrey (decorative band) seen here is by an unnamed embroiderer, the background of raised scrolling vines laid over gold threads is similar to those found in the Cambi and di Lapo examples. This stylistic evidence, together with the simplified architectural settings of each panel (common in works of art from the fourteenth century), dates this embroidered band to the mid-fourteenth century at the very latest.

The five panels on this orphrey depict scenes from the life of Christ, the compositions mixing early iconography with fourteenth-century imagery. From the top, the embroideries show: the Resurrection; the Appearance of Christ to Mary Magdalene; the Three Marys and the Angel at the Tomb; Christ Teaching the Apostles; and Christ in Heaven with Mary and the Apostles below.