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European Decorative Arts and Sculpture

Figure of a Goat; and Figure of a Goat and Kid

Made in Meissen, Germany

c. 1733

Original modeled by Johann Joachim Kändler, German, 1706 - 1775. Made by the Meissen porcelain factory, Meissen, Germany, 1710 - present.

Hard-paste porcelain
She-Goat [1989-22-1]: 18 3/4 x 27 1/4 x 14 inches (47.6 x 69.2 x 35.6 cm) He-Goat [1989-22-2]: 21 3/4 x 28 x 13 3/4 inches (55.2 x 71.1 x 34.9 cm)

* Gallery 283, European Art 1500-1850, second floor

1989-22-1,2

Bequest of John T. Dorrance, Jr., 1989

Label

This goat pair was among the hundreds of life-size porcelain animals and birds commissioned by Augustus the Strong, Elector of Saxony, for his "Japanese" palace in Dresden, Germany. The figures were produced—most of them between 1731 and 1735—by the porcelain factory founded at Meissen under Augustus's sponsorship in 1710. Meissen was the first factory in Europe to succeed in producing true, or hard-paste, porcelain. The numerous firing cracks visible on these figures attest to the enormous technical challenge they presented. Too fragile to withstand an additional enamel firing, they were originally colored with oil paint that has gradually washed off.

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Additional information:
  • PublicationPhiladelphia Museum of Art: Handbook of the Collections

    Among the largest porcelains produced by the Meissen factory near Dresden, these life-size goats display numerous fire cracks that attest to the enormous technical challenge they presented to an industry still in its infancy. In 1710, under the sponsorship of Augustus the Strong of Saxony, Meissen was the first European factory to produce hard-paste porcelain successfully. To house the factory's best products as well as his celebrated collection of Chinese and Japanese porcelains that had inspired the Meissen experiments in porcelain-making, Augustus planned a palace-museum in Dresden, for which he commissioned hundreds of life-size white porcelain animals and birds, including these goats. The furnishing of the palace was left unfinished at Augustus's death in 1733, but the factory continued to supply porcelain animals to his son and successor Augustus III. Most of the figures delivered to the palace remained there, save for those sent abroad as gifts by the Saxon heads of state and those sold from the Saxon state collection in 1919, which may include the present she-goat. Katherine B. Hiesinger, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 137.

* Works in the collection are moved off view for many different reasons. Although gallery locations on the website are updated regularly, there is no guarantee that this object will be on display on the day of your visit.

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