Buddha Vajradhara, Originating Deity of the Sakya Lineage
Adibuddha Vajradhara
Originating Deity of the Sakya Lamdre Lineage
Artist/maker unknown, Central Tibetan
Geography:
Made in Ngor monastery, Tsang Province, central Tibet, Tibet, Asia
Date:
Early 15th centuryMedium:
Colors on cloth; cloth mountingDimensions:
Image: 34 x 31 inches (86.4 x 78.7 cm) Mount: 54 x 36 1/2 inches (137.2 x 92.7 cm)Curatorial Department:
South Asian ArtObject Location:
1994-148-634Credit Line:
Stella Kramrisch Collection, 1994
Made in Ngor monastery, Tsang Province, central Tibet, Tibet, Asia
Date:
Early 15th centuryMedium:
Colors on cloth; cloth mountingDimensions:
Image: 34 x 31 inches (86.4 x 78.7 cm) Mount: 54 x 36 1/2 inches (137.2 x 92.7 cm)Curatorial Department:
South Asian ArtObject Location:
Currently not on view
Accession Number:1994-148-634Credit Line:
Stella Kramrisch Collection, 1994
Label:
This vivid painting was once the center of a set of eleven related works commissioned by Ngorchen Kunga Zangpo, the first abbot of Ngor Monastery. On an elaborate throne, the primordial Buddha Vajradhara meditates. The intense blue of his body signifies the pure nature of ultimate reality. In his crossed hands he holds the two most common ritual implements of Tibetan Buddhism: a bell and a vajra (a multipronged scepter whose name translates as either “diamond” or “thunderbolt”). These implements represent wisdom and skillful means, respectively; the path to enlightenment is made by their merging. Important leaders of the Sakya lineage inhabit the painting’s inner rectangle, while other buddhas and deities fill its borders.
This vivid painting was once the center of a set of eleven related works commissioned by Ngorchen Kunga Zangpo, the first abbot of Ngor Monastery. On an elaborate throne, the primordial Buddha Vajradhara meditates. The intense blue of his body signifies the pure nature of ultimate reality. In his crossed hands he holds the two most common ritual implements of Tibetan Buddhism: a bell and a vajra (a multipronged scepter whose name translates as either “diamond” or “thunderbolt”). These implements represent wisdom and skillful means, respectively; the path to enlightenment is made by their merging. Important leaders of the Sakya lineage inhabit the painting’s inner rectangle, while other buddhas and deities fill its borders.
