Portrait of Catherine Lyde
John Smibert, American, 1688 - 1751
Geography:
Made in Boston, Massachusetts, United States, North and Central America
Date:
1729Medium:
Oil on canvasDimensions:
30 x 25 inches (76.2 x 63.5 cm)Curatorial Department:
American Art
1995-67-1Credit Line:
Gift of The Barra Foundation, 1995
Made in Boston, Massachusetts, United States, North and Central America
Date:
1729Medium:
Oil on canvasDimensions:
30 x 25 inches (76.2 x 63.5 cm)Curatorial Department:
American Art
* Gallery 103, American Art, first floor (Sherrerd Gallery)
Accession Number:1995-67-1Credit Line:
Gift of The Barra Foundation, 1995
Label:
Born in Edinburgh, John Smibert worked as a craftsman and copyist in London before traveling to Italy to develop his artistic skills. In 1729 he arrived in Boston to join the philosopher George Berkeley in establishing a university in Bermuda. When these plans dissolved, Smibert established a painting room, an artist’s supply shop, and a gallery that displayed his copies after important European paintings. Even after his death, his studio remained and nurtured American artists from Robert Feke, John Singleton Copley, and Charles Willson Peale to John Trumbull and Washington Allston. The artist’s second recorded composition made in Boston, this portrait of the widowed Catherine Page Brinley Lyde (1663–1755) is typical of his earliest American works.
Born in Edinburgh, John Smibert worked as a craftsman and copyist in London before traveling to Italy to develop his artistic skills. In 1729 he arrived in Boston to join the philosopher George Berkeley in establishing a university in Bermuda. When these plans dissolved, Smibert established a painting room, an artist’s supply shop, and a gallery that displayed his copies after important European paintings. Even after his death, his studio remained and nurtured American artists from Robert Feke, John Singleton Copley, and Charles Willson Peale to John Trumbull and Washington Allston. The artist’s second recorded composition made in Boston, this portrait of the widowed Catherine Page Brinley Lyde (1663–1755) is typical of his earliest American works.
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