This visually bold exhibition of more than thirty photographs brings together two contemporary artists, Bill Armstrong and Milan Fano Blatný, whose work has been inspired by the ancient form of the mandala.

The mysterious Thomas Chambers arrived in the United States from England in 1832, worked for three decades as a marine and landscape painter, and then disappeared after 1866, leaving behind a boldly expressive and puzzling body of work. This exhibition—the first major survey of Chambers’ work since his rediscovery in 1942—seeks to define his style, examine his sources, and investigate the popular audience for landscape and marine painting in the mid-nineteenth century.

This exhibition brings together over twenty-five drawings, prints, and watercolor paintings to explore “contemporary” art on the Indian subcontinent over the past century, a period that witnessed dramatic social and artistic transformations.

This exhibition highlights a selection of purchases, gifts, and bequests since the year 2000—a group so varied it encompasses the Museum’s departments of American art, costume and textiles, East Asian art, and European decorative arts.