This exhibition explores for the first time how a decade-long residential commission for Peter Lewis in Lyndhurst, Ohio (1985-1995), gave Frank Gehry a unique opportunity to experiment, and in the process, achieve the formal and technological breakthroughs that have made him one of the most influential architects of our time.

Kansai Yamamoto is one of the founding fathers of Japanese contemporary fashion. Best known for his work during the 1970s and 1980s, his avant-garde designs are inspired by the colorful Azuchi-Momoyama period (1568-1600) and traditional Kabuki theatre. The exuberant Pop-like quality of his work contrasts with what is today associated with Japanese fashion, Zen-like simplicity and deconstructed silhouettes.

This exhibition highlights a selection of purchases, gifts, and bequests since the year 2000—a group so varied it encompasses the Museum’s departments of American art, costume and textiles, East Asian art, and European decorative arts.

The mysterious Thomas Chambers arrived in the United States from England in 1832, worked for three decades as a marine and landscape painter, and then disappeared after 1866, leaving behind a boldly expressive and puzzling body of work. This exhibition—the first major survey of Chambers’ work since his rediscovery in 1942—seeks to define his style, examine his sources, and investigate the popular audience for landscape and marine painting in the mid-nineteenth century.