
Head of Christ, c. 1648-1656
Rembrandt Harmensz. van Rijn, Dutch (active Leiden and Amsterdam)
Oil on oak panel, laid into larger oak panel
14 1/8 x 12 5/16 inches (35.8 x 31.2 cm) Framed: 28 1/4 x 23 x 2 inches (71.8 x 58.4 x 5.1 cm)
John G. Johnson Collection, 1917
Cat. 480
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Rembrandt Harmensz. van Rijn, Dutch (active Leiden and Amsterdam)
Oil on oak panel, laid into larger oak panel
14 1/8 x 12 5/16 inches (35.8 x 31.2 cm) Framed: 28 1/4 x 23 x 2 inches (71.8 x 58.4 x 5.1 cm)
John G. Johnson Collection, 1917
Cat. 480
[ More Details ]
Exhibition Minutes
Rembrandt and Printmaking
Go behind the scenes into the age old, multi-step technique that Rembrandt perfected. In this video learn the differences and similarities between etching and dry point, and see demonstrations of each. Discover how Rembrandt’s extraordinary drawing skills, experimental spirit, and unique application of ink created interesting shades and tones that made his prints as expressive as his paintings.
Watch Video >>Organizers and Support
This exhibition is organized by the Philadelphia Museum of Art, the Musée du Louvre, Paris, and the Detroit Institute of Arts. In Philadelphia, the exhibition is made possible by The Pew Charitable Trusts and the Robert Montgomery Scott Fund for Exhibitions and by an indemnity from the Federal Council on the Arts and the Humanities. Additional support is provided by the Connelly Foundation, by Carol Elizabeth Ware and the Marian S. Ware 2006 Charitable Lead Annuity Trust, and by generous individuals. Funding for conservation was provided by the Samuel H. Kress Foundation.Curator
Lloyd DeWitt • Associate Curator of European Painting before 1900Location
Dorrance Special Exhibition Galleries, first floorItinerary
Musée du Louvre, Paris • April to July 2011Philadelphia Museum of Art • August to October 2011
The Detroit Institute of Arts • November 2011 to February 2012




