"It is good taste, and good taste alone, that possesses the power to sterilize and is always the first handicap to any creative functioning."

- Salvador Dalí
 




     
Woman at the Window at Figueres, 1926

Salvador Dalí (Spanish, 1904-1989)
Oil on canvas, 9 x 10 inches

Spain, Figueres © Gala-Salvador Dalí Foundation/Artists Rights Society (ARS), New York

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All captioned works are by Salvador Dalí (1904 – 1989), unless otherwise noted.

Impressions of Africa, 1938
Oil on canvas
Museum Boijmans Van Beuningen, Rotterdam

Self-Portrait with the Neck of Raphael, 1920–21
Oil on canvas
Gala-Salvador Dalí Foundation, Figueres, Spain. Gift of Dalí to the Spanish State

View of Cadaqués from Mount Pani, 1917
Oil on burlap
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Portrait of the Cellist Ricardo Pichot, 1920
Oil on canvas
Private Collection

Self-Portrait, c. 1921
Oil on cardboard
Private Collection

Self-Portrait in the Studio, 1918–19
Oil on canvas
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Portrait of My Father, 1920–21
Oil on canvas
Gala-Salvador Dalí Foundation, Figueres, Spain.
Gift of Dalí to the Spanish State

Port of Cadaqués (Night), 1918–19
Oil on canvas
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Portrait of Grandmother Ana Sewing,1921
Oil on burlap
Collection of Dr. Joaquín Vila Moner

The Lane to Port Lligat with View of Cap Creus, 1922–23
Oil on canvas
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Portrait of the Artist’s Mother, Doña Felipa Domènech de Dalí, 1920
Pastel on paper on cardboard
Private Collection

Portrait of Señor Pancraci, c. 1919
Oil on canvas
Private Collection

Fiesta at the Hermitage, c. 1921
Oil and gouache on cardboard
Gala-Salvador Dalí Foundation, Figueres, Spain

Head of a Girl, 1924
Monotype and etching on paper
Collection of Lawrence Saphire

Figure at a Table (Portrait of My Sister), 1925
Oil on cardboard
Private Collection

The First Days of Spring, 1922–23
Ink and gouache on paper
Gala-Salvador Dalí Foundation, Figueres, Spain

The Windmill—Landscape near Cadaqués, 1923
Oil and gouache on cardboard
Private Collection

Study for “Portrait of Manuel de Falla”, 1924–25
Pencil on paper
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Woman at the Window at Figueres, 1926
Oil on panel
Gala-Salvador Dalí Foundation, Figueres, Spain

The Basket of Bread, 1926
Oil on panel
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Federico Lorca in the Café de Oriente with a Guitar, c. 1924
Pencil on paper
Staatliche Graphische Sammlung, Munich

Study for “Portrait of María Carbona”, 1925
Pencil on paper
Museu de Montserrat, Montserrat, Spain

Pierrot and Guitar, 1924
Oil and collage on cardboard
Fundación Colección Thyssen-Bornemisza, Madrid

Portrait of Luis Buñuel, 1924
Oil on canvas
Museo Nacional Centro de Arte Reina Sofía, Madrid

Figure at a Window (The Artist’s Sister), 1925
Oil on cardboard
Museo Nacional Centro de Arte Reina Sofía, Madrid

Portrait of María Carbona, 1925
Oil on cardboard
The Montreal Museum of Fine Arts. Gift of the Montreal Museum of Fine Arts’ Volunteer Association

Still Life (Fragment), 1924
Oil on cardboard
The Montreal Museum of Fine Arts. Gift of the Montreal Museum of Fine Arts’ Volunteer Association

Ex Libris for Federico García Lorca, 1926
Watercolor on postcard
Private Collection

Don Salvador and Ana María Dalí (Portrait of the Artist’s Father and Sister), 1925
Pencil on paper
Collection of Juan Abelló, Madrid

Landscape of Madrid, 1922–23
Oil on cardboard
Galeria Guillermo de Osma, Madrid

Voyeur, 1921
Gouache on cardboard
Gala-Salvador Dalí Foundation, Figueres, Spain

Barcelona Mannequin, 1926–27
Oil on canvas
Gala-Salvador Dalí Foundation, Figueres, Spain. Gift of Dalí to the Spanish State

Penya-Segats (Woman by the Cliffs), 1926
Oil on panel
Private Collection

Venus and Sailor, c. 1925
Oil on canvas
Gala-Salvador Dalí Foundation, Figueres, Spain

Venus and a Sailor (Homage to Salvat-Papasseit), 1925
Oil on panel
Ikeda Museum of 20th Century Art, Shizuoka-Ken, Japan

     
The Basket of Bread, 1926

Salvador Dalí (Spanish, 1904-1989)
Oil on panel, 13 x 12 3/5 inches

St. Petersburg (FL), The Salvador Dalí Museum © The Salvador Dalí Museum, Inc., St. Petersburg

Neo-Cubist Academy, 1926
Oil on canvas
Museu de Montserrat, Montserrat, Spain

Figures Lying on the Sand, 1926
Oil on panel
Gala-Salvador Dalí Foundation, Figueres, Spain

Little Cinders (Cenicitas), 1927–28
Oil on panel
Museo Nacional Centro de Arte Reina Sofía, Madrid

Four Fishermen’s Wives of Cadaqués, 1928
Oil on canvas
Museo Nacional Centro de Arte Reina Sofía, Madrid

Untitled (Automatic Drawing) , 1926
Ink on paper
Private Collection

Untitled (Automatic Drawing) , 1926
Ink on paper
Private Collection

Unsatisfied Desires, 1928
Oil, seashells, and sand on cardboard
San Francisco Museum of Modern Art. Fractional gift of Jan and Mitsuko Shrem, Clos Pegase Winery Collection

Female Nude, 1928
Oil, cork, rope, and collage on canvas
Collection of William B. Jordan

The Wounded Bird, 1928
Oil and sand on cardboard
Tel Aviv Museum of Art. Mizne-Blumental Collection

Study for “Honey Is Sweeter than Blood”, 1926
Oil on panel
Private Collection, Paris

Untitled (Study for  “Honey Is Sweeter than Blood”), 1926
Ink on paper
The Museum of Modern Art, New York. Gift of Mrs. Alfred R. Stern in honor of René d’Harnoncourt

Study for “Invisible Sleeping Woman, Horse, Lion”, 1930
Pencil and ink on canvas
Jacques Herold Collection, Paris

Accommodations of Desire, 1929
Oil and collage on board
The Metropolitan Museum of Art, New York. Jacques and Natasha Gelman Collection, 1998 (1999.363.16)

Study for “The Great Masturbator”, 1929
Watercolor on paper
Private Collection

The First Days of Spring, 1929
Oil and collage on panel
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Phantasmagoria, 1929
Oil on panel
Collection of J. Nicholson, Beverly Hills, California

Man of Sickly Complexion Listening to the Sound of the Sea or The Two Balconies, 1929
Oil on panel
Museu da Chácara do Céu, Fundaçao Raymundo Ottoni de Castro Maya, Rio de Janeiro

The Great Masturbator, 1929
Oil on canvas
Museo Nacional Centro de Arte Reina Sofía, Madrid

Premature Ossification of a Railway Station, 1930
Oil on canvas
Private Collection. Courtesy Alan Koppel Gallery, Chicago

André Breton: The Great Anteater (Le Grand Tamanoir), 1929–31
Pen and ink on paper
Collection of Ricard Mas, Barcelona, Spain

Paranoiac Woman-Horse (Invisible Sleeping Woman, Lion, Horse), 1930
Oil on canvas
Musée National d’Art Moderne, Centre Georges Pompidou, Paris. Gift of the Association Bourdon

Dreams on a Beach, 1934
Oil on panel
Private Collection

Paranoiac-Astral Image, 1935
Oil on panel
Wadsworth Atheneum, Hartford. The Ella Gallup Sumner and Mary Caitlin Sumner Collection Fund

The Sign of Anguish, 1932–36
Oil on panel
Scottish National Gallery of Modern Art, Edinburgh. Bequeathed by Gabrielle Keiller, 1995

The Phantom Cart, 1933
Oil on panel
Yale University Art Gallery, New Haven. Gift of Thomas F. Howard

The Invisible Man, 1932
Oil on canvas
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

The Spectre of Sex Appeal, 1934
Oil on panel
Gala-Salvador Dalí Foundation, Figueres, Spain

The Ghost of Vermeer of Delft, c. 1934
Oil on canvas
Private Collection

Gangsterism and Goofy Visions of New York, 1935
Pencil and ink on paper
The Menil Collection, Houston

Andromeda, 1930–31
Pen and ink on paper
Albright-Knox Art Gallery, Buffalo, New York. Gift of A. Conger Goodyear to the Room of Contemporary Art, 1940

William Tell, 1930
Oil and collage on canvas
Musée National d’Art Moderne, Centre Georges Pompidou, Paris

Sometimes I Spit with Pleasure on the Portrait of My Mother (The Sacred Heart), 1929
Ink on linen canvas glued on cardboard
Musée National d’Art Moderne, Centre Georges Pompidou, Paris

The Enigma of Desire, 1929
Oil and collage on canvas
Bayerische Staatsgemäldesammlungen Pinakothek der Moderne, Munich

William Tell and Gradiva, 1930–31
Ink and pencil on paper
Private Collection

The Dream, 1931
Oil on canvas
Cleveland Museum of Art. John L. Severance Fund, 2001.34

Combinations (or The Complete Dalínian Phantasm: Ants, Keys, Nails, etc.), 1931
Gouache on paper
Private Collection

Study for “The Enigma of William Tell”, 1933
Pen and pencil on paper
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

The Font, 1930
Oil and collage on panel
Salvador Dalí Museum, Inc., Saint Petersburg, Florida

Gradiva, 1933
Ink on paper
Staatliche Graphische Sammlung Munich, Munich

Untitled (Gradiva), 1932
Ink and pencil on paper
The Mayor Gallery, London


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