Important: The images displayed on these pages are formatted as 72dpi jpegs and are of insufficient quality for print production. They are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please supply your name, press affiliation and all other information as required utilizing the HTML form at the end of each list.

Images are provided exclusively to the press, and only for purposes of publicity for the duration of an exhibition at the PMA. The Museum grants permission to use images only to the extent of its ownership rights relating to those images--the responsibility for any additional permissions remains solely with the party reproducing the images. In addition, the images must be accompanied by the credit line and any copyright information as it appears below, and the party reproducing the images must not distort or mutilate the images.

Digital images will be sent to you via e-mail.

Image #01: Procession on Anatomy of Vertebrates

Procession on Anatomy of Vertebrates, 2000, William Kentridge. Charcoal on book pages. 8 1/2 x 66 15/16 inches (21.6 x 170 cm). Collection of Brenda Potter and Michael Sandler, Beverly Hills, California.

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Image #02: Bridge

Bridge, 2001, William Kentridge. Bronze with books. 23 5/8 x 36 3/4 x 7 1/2 inches (60 x 93.2 x 19 cm). Collection of the artist.

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Image #03: Office Love

Office Love, 2001, William Kentridge. Tapestry weave with embroidery: mohair, acrylic, and polyester. 135 7/16 x 179 1/2 inches (344 x 455.9 cm). Philadelphia Museum of Art; Purchased with funds contributed by the members of the Committee on Modern and Contemporary Art.

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Image #04: Porter with Chairs

Porter Series: Norwège, Suède et Danemark (Porter with Chairs), 2005, William Kentridge.Tapestry weave with embroidery: mohair, acrylic, and polyester. (274.3 x 198.1 cm). Private collection.

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Image #05: Porter with Dividers

Porter Series: Espagne ancienne (Porter with Dividers), 2005, William Kentridge. Tapestry weave with embroidery: mohair, acrylic, and polyester. 98 3/4 x 130 1/2 inches (250.8 x 331.5 cm). Courtesy of Lia Rumma Gallery, Milan.

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Image #06: Géographie des Hebreux ou Tableau de la dispersion des Enfants de Noë

Porter Series: Géographie des Hebreux ou Tableau de la dispersion des Enfants de Noë, 2005, William Kentridge. Tapestry weave with embroidery: mohair, acrylic, and polyester. 100 1/2 x 137 7/8 inches (255.3 x 350.2 cm). Collection of Anne and William Palmer, New York.

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Image #07: Shower Man

Porter Series: France divisée en ses 32 provinces (Shower Man), 2006, William Kentridge. Tapestry weave with embroidery: mohair, acrylic, and polyester. 97 5/8 x 134 1/2 inches (248 x 341.6 cm). Collection of Leo and Pearl-Lynne Katz, Bogotá, Colombia.

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Image #08: Egypte

Porter Series: Egypte, 2006, William Kentridge. Tapestry weave with embroidery: mohair, acrylic, and polyester. 99 1/2 x 134 inches (252.7 x 340.4 cm). Courtesy of Lia Rumma Gallery, Milan.

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Image #09: Man with Bed on Back

Porter Series: Russie d’Europe (Man with Bed on Back), 2007, Tapestry weave with embroidery: mohair, acrylic, and polyester. 123 x 90 3/4 inches (312.4 x 230.5 cm). Private collection.

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Image #10: Mohair

The mohair for Kentridge's tapestries is dyed in wood-fire vats in Swaziland. Photo by John Hodgkiss, courtesy of the William Kentridge Studio.

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Image #11: William Kentridge and Marguerite Stephens

William Kentridge and Marguerite Stephens annotate a copy of a source drawing. Photo by John Hodgkiss, courtesy of the William Kentridge Studio.

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