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Images are provided exclusively to the press, and only for purposes of publicity for the duration of an exhibition at the PMA. The Museum grants permission to use images only to the extent of its ownership rights relating to those images--the responsibility for any additional permissions remains solely with the party reproducing the images. In addition, the images must be accompanied by the credit line and any copyright information as it appears below, and the party reproducing the images must not distort or mutilate the images.

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Image 01: The Triumphal Arch of Maximilian I

Albrecht Dürer (German, Nuremberg, 1471–1528) and workshop, The Triumphal Arch of Maximilian I, 1515, (Bartsch edition, 1799). Woodcut and etching printed from 170 blocks and 18 plates (original edition printed from 195 woodblocks; in the later edition etching plates substituted for missing woodblocks) Overall dimensions: approx. 11ft 9 inches x 9 feet 6 inches. National Gallery of Art, Washington, Gift of David P. Tunick and Elizabeth S. Tunick, in honor of the appointment of Andrew Robison as Andrew W. Mellon Senior Curator, 1991.200.1

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Image 02: The Triumphal Arch of Maximilian I

Albrecht Dürer (German, Nuremberg, 1471–1528) and workshop, [detail] The Triumphal Arch of Maximilian I, 1515, (Bartsch edition, 1799). Woodcut and etching printed from 170 blocks and 18 plates (original edition printed from 195 woodblocks; in the later edition etching plates substituted for missing woodblocks) Overall dimensions: approx. 11ft 9 inches x 9 feet 6 inches. National Gallery of Art, Washington, Gift of David P. Tunick and Elizabeth S. Tunick, in honor of the appointment of Andrew Robison as Andrew W. Mellon Senior Curator, 1991.200.1

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Image 03: Adam and Eve

Hans Burgkmair I (German, Augsburg, 1473–1531), Adam and Eve, 1525. Woodcut printed from eight blocks, overall dimensions: approx. 40 x 30 inches. The Metropolitan Museum of Art, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949, 49.95.150

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Image 04: The Story of Susanna

Jörg Breu II (the Younger), German (c. 1510 – 1547). The Story of Susanna, 1540. Woodcut printed from four blocks, overall dimensions: 19 3/8 x 26 9/16 inches. The Charles M. Lea Collection, 1928.

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Image 05: The Sacrifice of Isaac

Andrea Andreani, The Sacrifice of Isaac, 1586. Chiaroscuro woodcut printed in black, ochre, light grayish green, and dark grayish green inks from eight (of ten) sets of four blocks each. Sheet: 30 1/8 x 61 3/8 in. Los Angeles County Museum of Art, Mary Stansbury Ruiz Bequest. Photo © 2008 Museum Associates/ LACMA

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Image 06: The Triumph of Caesar

Andrea Andreani (Italian, Mantua, 1558/59–1629), After Andrea Mantegna (Italian, Isola di Carturo, 1430/31–Mantua, 1506), The Triumph of Caesar, 1598–99. [detail showing two from a suite of ten chiaroscuro woodcuts (each printed from a set of four woodblocks). Each block: approx. 14 1/2 x 14 5/8 inches. National Gallery of Art, Washington, Rosenwald Collection, 1943, 1943.3.5766a–f

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Image 07: The Great Hall of Prague Castle

Aegidius Sadeler II, Flemish (c. 1570 - 1629). The Great Hall of Prague Castle, 1607. Engraving and etching printed from two plates on two joined sheets; Overall dimensions: 23 15/16 x 26 13/16 inches. Philadelphia Museum of Art: The Muriel and Philip Berman Gift. Acquired from the John S. Phillips Bequest of 1876 to the Pennsylvania Academy of the Fine Arts. 1985-52-1249

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Image 08: View of Venice

Jacopo de’Barbari (Italian, c.1140/50-before 1515). View of Venice, 1500. Woodblock from six blocks on six sheets of paper. The Cleveland Museum of Art, Purchase from the J.H. Wade Fund 1949.565.1-6)

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