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Image 01: Bruce Nauman, Days

Installation shot of Bruce Nauman, Days, 2009 at Università Iuav di Venezia. Audio (14 channels); continuous play; one audio source consisting of seven stereo audio files with 14 speakers. Courtesy Sperone Westwater, New York © 2009 Bruce Nauman / Artists Rights Society (ARS), New York. Photo credit: Michele Lamanna, courtesy Philadelphia Museum of Art.

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Image 02: Bruce Nauman, Days

Installation shot of Bruce Nauman, Days, 2009 at Università Iuav di Venezia. Audio (14 channels); continuous play; one audio source consisting of seven stereo audio files with 14 speakers. Courtesy Sperone Westwater, New York © 2009 Bruce Nauman / Artists Rights Society (ARS), New York. Photo credit: Michele Lamanna, courtesy Philadelphia Museum of Art.

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Image 03: Bruce Nauman, Days

Installation shot of Bruce Nauman, Days, 2009 at Università Iuav di Venezia. Audio (14 channels); continuous play; one audio source consisting of seven stereo audio files with 14 speakers. Courtesy Sperone Westwater, New York © 2009 Bruce Nauman / Artists Rights Society (ARS), New York. Photo credit: Michele Lamanna, courtesy Philadelphia Museum of Art.

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Image 04: Bruce Nauman, Giorni

Installation shot of Bruce Nauman, Giorni, 2009, at the Exhibition Spaces of Universita Ca' Foscari. Audio (14 channels); continuous play; one audio source consisting of seven stereo audio files with 14 speakers. Courtesy Sperone Westwater, New York © 2009 Bruce Nauman / Artists Rights Society (ARS), New York. Photo credit: Michele Lamanna, courtesy Philadelphia Museum of Art

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Image 05: Bruce Nauman, Giorni

Installation shot of Bruce Nauman, Giorni, 2009, at the Exhibition Spaces of Universita Ca' Foscari. Audio (14 channels); continuous play; one audio source consisting of seven stereo audio files with 14 speakers. Courtesy Sperone Westwater, New York © 2009 Bruce Nauman / Artists Rights Society (ARS), New York. Photo credit: Michele Lamanna, courtesy Philadelphia Museum of Art

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Image 06: Bruce Nauman, Dance or Exercise on the Perimeter of a Square (Square Dance)

Film still from Bruce Nauman, Dance or Exercise on the Perimeter of a Square (Square Dance), 1967-68, 10 minutes, black-and-white, sound, 16 mm film. The installation will include a series of early Bruce Nauman videos in Galleries 178 and 179. Photo courtesy Sperone Westwater Gallery © 2009 Bruce Nauman / Artist Rights Society (ARS), New York

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Image 07: Bruce Nauman, Wall-Floor Positions

Video still from Bruce Nauman, Wall-Floor Positions, 1968, 60 minutes, black-and-white, sound. The installation will include a series of early Bruce Nauman videos in Galleries 178 and 179. Photo courtesy Sperone Westwater Gallery © 2009 Bruce Nauman / Artist Rights Society (ARS), New York

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Image 08: Presentation of the Golden Lion

The presentation of the Golden Lion for Best National Participation to the U.S. Pavilion for Bruce Nauman: Topological Gardens, at an awards ceremony on June 6, 2009 in the Giardini della Biennale. From left to right: Erica Battle (Philadelphia Museum of Art), Michael R. Taylor (Philadelphia Museum of Art), artist Bruce Nauman, Carlos Basualdo (Philadelphia Museum of Art), and Paolo Baratta, President of the La Biennale Foundation. Courtesy of Andrea Sarti/CAST1466

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Image 09: Bruce Nauman

Bruce Nauman on the steps of the U.S. Pavilion, Venice, Italy, June 2008. Photo courtesy of the Philadelphia Museum of Art © Michele Lamanna 2008

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Image 10: Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967, neon

Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967, neon. installed at the U.S. Pavilion in Venice, Italy. Purchased with the generous support of The Annenberg Fund for Major Acquisitions, the Henry P. McIlhenny Fund, the bequest (by exchange) of Henrietta Meyers Miller, the gift (by exchange) of Philip L. Goodwin, and funds contributed by Edna Andrade, 2007 © 2009 Bruce Nauman / Artists Rights Society (ARS), New York. Photo credit: Michele Lamanna, courtesy Philadelphia Museum of Art

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