Important: The images displayed on these pages are formatted as 72dpi jpegs and are of insufficient quality for print production. They are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please supply your name, press affiliation and all other information as required utilizing the HTML form at the end of each list.

Images are provided exclusively to the press, and only for purposes of publicity for the duration of an exhibition at the PMA. The Museum grants permission to use images only to the extent of its ownership rights relating to those images--the responsibility for any additional permissions remains solely with the party reproducing the images. In addition, the images must be accompanied by the credit line and any copyright information as it appears below, and the party reproducing the images must not distort or mutilate the images.

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Image 01: Nove Gonne

Nove Gonne (Nine Skirts), 1956, By Roberto Capucci (Italian, b. 1930). Sala Bianca Palazzo Pitti Florence. Sculpture-dress, ‘bello’ red silk taffeta, overlapping elements on the skirt. Claudia Primangeli / L.e C. Service

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Image 02: Nove Gonne

Nove Gonne (Nine Skirts), 1956, By Roberto Capucci (Italian, b. 1930). Sala Bianca Palazzo Pitti Florence. Sculpture-dress, ‘bello’ red silk taffeta, overlapping elements on the skirt. Claudia Primangeli / L.e C. Service

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Image 03: Homage to Vasarely

Homage to Vasarely, 1965. By Roberto Capucci (Italian, b. 1930). Rue Cambon Atelier Paris. Dress, black and white woven satin ribbons, ‘optical’ effect, black plumes. Claudia Primangeli / L.e C. Service

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Image 04: Homage to Vasarely

Homage to Vasarely (detail), 1965. By Roberto Capucci (Italian, b. 1930). Rue Cambon Atelier Paris. Dress, black and white woven satin ribbons, ‘optical’ effect, black plumes. Claudia Primangeli / L.e C. Service

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Image 05: Sculpture Dress

‘Sculpture Dress’, 1987. By Roberto Capucci (Italian, b. 1930). Museo di Palazzo Venezia Rome. Sculpture-dress, butter colored crepe, satin bolero with white squares and black inlays. Claudia Primangeli / L.e C. Service

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Image 06: Bouganvillea

‘Bouganvillea,’ 1989. By Roberto Capucci (Italian, b. 1930). Galleria Nazionale d’Arte Moderna Rome. Sculpture-dress, green plissé taffeta, shades of green and cyclamen in the tufts. Claudia Primangeli / L.e C. Service

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Image 07: Bougainvillea

Bougainvillea, 1989. By Roberto Capucci (Italian, b. 1930). Galleria Nazionale d’Arte Moderna Rome. Sculpture-dress, green plissé taffeta, shades of green and cyclamen in the tufts. Claudia Primangeli / L.e C. Service

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Image 08: Sculpture Dress

‘Sculpture Dress,’ 1992. By Roberto Capucci (Italian, b. 1930). Schauspielhaus Theatre Berlin. Sculpture-dress, multi-coloured plissé taffeta, overlapping pleats on the skirt. Claudia Primangeli / L.e C. Service

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Image 09: Sculpture Dress

‘Sculpture Dress’ (detail), 1992. By Roberto Capucci (Italian, b. 1930). Schauspielhaus Theatre Berlin. Sculpture-dress, multi-coloured plissé taffeta, overlapping pleats on the skirt. Claudia Primangeli / L.e C. Service

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Image 10: Crepe

‘Crepe,’ 2007. By Roberto Capucci (Italian, b. 1930)Roberto Capucci Foundation Museum Villa Bardini Florence. Sculpture in the Box Line style. Fuchsia taffeta, green borders, orange taffeta inside.

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Image 11: Sculpture Dress

Sculpture Dress, 1992. Designed by Roberto Capucci, Italian, born 1930. Satin, 72 x 60 x 40 inches (182.9 x 152.4 x 101.6 cm). Fondazione Roberto Capucci.

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Image 12: Arancia Sculpture Dress

Arancia Sculpture Dress, Fall/Winter 1982. Designed by Roberto Capucci, Italian, born 1930. Velvet and gazar, 72 x 60 x 40 inches (182.9 x 152.4 x 101.6 cm). Fondazione Roberto Capucci.

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Image 13: Roberto Capucci

Roberto Capucci, 2001. By Fiorenzo Niccoli.

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