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Exhibition Gallery, Ruth and Raymond G. Perelman Building
February 16–May 19, 2013
On February 16, 2013, the Philadelphia Museum of Art will open an exhibition of outstanding paintings, furniture, and works in silver and ivory from Roberta and Richard Huber’s collection of Spanish and Portuguese colonial art. Journeys to New Worlds offers compelling evidence of the new visual culture created by the global empires of these two nations in the seventeenth and eighteenth centuries. Including elegant religious sculptures, ornate silverwork, and vibrant paintings of Catholic saints and South American aristocrats, this exhibition offers rare insight into a world of dramatic change and converging cultures.
Journeys to New Worlds will illuminate for visitors the enormous variety and complexity of art made during the Iberian colonial period. It contains several paintings by the Andean master Melchor Pérez Holguín (Bolivian, c. 1665–after 1724) including Pietà (c. 1720), an inventive interpretation of Catholic iconography. The exhibition also explores the adaptation of European imagery into local idioms, for example the presence of Asiatic features on ivory sculptures produced in the Portuguese colonies in Goa and the Spanish colonies in the Philippines. The enormous wealth generated by Spain’s colonial possessions in South America and the sophisticated lifestyle it supported can be seen in the Portrait of Rosa de Salazar y Gabiño, Countess of Monteblanco and Montemar (c. 1764–71, by an unknown Peruvian artist), which depicts one of the richest aristocrats of Peru at that time. The House at Nazareth (late eighteenth century, by an unknown Bolivian artist)takes a scene venerated in high religious culture and translates it into a familiar domestic scene replete with lively details and vibrant color. The combination of these hybrid visual traditions—European, American, and Asian—provide viewers with a glimpse of the new and increasingly complex cultural world forged in the making of these global empires.
During the seventeenth and eighteenth centuries, the development of a vast network of trade routes created the conditions for an unparalleled artistic exchange within the Spanish and Portuguese colonial empires. Works of art traveled between these two European countries and their colonies in Latin America and Asia, and the burgeoning trade in this field led to the development of new visual traditions. Emblematic of their time and place, the works created in the Spanish and Portuguese colonies of Latin American and Asia are often distinctive in style and content, yet they also reflect a shared heritage of culture, religion, and artistic practice that ranged geographically from Peru to Sri Lanka.
Timothy Rub, The George D. Widener Director and Chief Executive Officer, notes, “We are delighted to share with the public Roberta and Richard Huber’s remarkable collection. These objects, many on view for the first time in the United States, will enrich and delight our visitors. The Hubers have promised as a gift to the Museum a large group of historically significant paintings that will strengthen our collection and bolster our longstanding commitment to the arts in Latin America.”
The Philadelphia Museum of Art, in association with Yale University Press, will publish a fully-illustrated scholarly catalogue including six essays and individual entries detailing the works of art. Edited by Suzanne L. Stratton-Pruitt with Mark A. Castro, Exhibition Coordinator at the Philadelphia Museum of Art; the book will include an introduction by Joseph J. Rishel, The Gisela and Dennis Alter Senior Curator of European Painting before 1900, and Senior Curator of the John G. Johnson Collection, Philadelphia Museum of Art, and the Rodin Museum; an interview of Roberta and Richard Huber by Joseph J. Rishel and Mark A. Castro; and essays and entries by Luisa Elena Alcala, David L. Barquist, Mark A. Castro, Margarita Mercedes Estella Marcos, Enrique Quispe Cueva, Jorge F. Rivas P., and Suzanne L. Stratton-Pruitt.
The catalogue will be available online or in the Museum Store beginning February 2013.
About Roberta and Richard Huber:
Based in New York City, the Hubers lived for many years in South America, where their dedicated collecting began nearly four decades ago. Richard Huber began his career at First National Bank of Boston and relocated to Buenos Aires, Argentina, in 1962. His work took them to São Paulo, Brazil, and Tokyo, Japan, before he retired as Chief Executive Officer of Aetna in 2000. Throughout their travels, the couple’s focus on South America further intensified as they continued to explore the remarkable global culture that catalyzed the development and growth of Spanish and Portuguese colonial art in the seventeenth and eighteenth centuries.
The exhibition is generously supported by The Annenberg Foundation Fund for Exhibitions, the Arlin and Neysa Adams Endowment, Paul K. Kania, and Mr. and Mrs. Reinaldo Herrera. The catalogue is made possible by The Andrew W. Mellon Fund for Scholarly Publications at the Philadelphia Museum of Art and by Furthermore: a program of the J.M. Kaplan Fund.
Tuesday through Sunday: 10:00 a.m.–5:00 p.m.
The exhibition will be open during normal hours on Presidents’ Day.
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