The Publishing Department of the Philadelphia Museum of Art develops, produces, and publishes the Museum's books, handbooks, and collection and exhibition catalogues, as well as the Bulletin, an occasional scholarly publication. The department collaborates with other institutions on joint exhibition publications, and arranges for the distribution and co-publication of its titles in the trade in the United States and abroad.
Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art’s unrivaled collection.
The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as “the American medium.”
Exquisite and labor-intensive, phulkari (“floral-work” or “flower-craft”) embroideries were originally produced by women in towns and villages across the greater Punjab, a region that today straddles Pakistan and India, from at least the early 19th century into the first decades of the 20th.
In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the Tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.
This handsome book explores in depth a group of stunning painted and gilded furniture designed by the architect Benjamin Henry Latrobe (1764–1820), best known for originating the plans for the United States Capitol. The furniture was made in Philadelphia for one of the city’s finest houses—the home of William and Mary Wilcocks Waln, which Latrobe also designed.
This catalogue reconsiders the development and cultural significance of still-life painting in America, exploring renowned treasures alongside recently discovered works—some previously unpublished—in unexpected ways.
This beautiful volume documents a historic gift of contemporary art from the Keith L. and Katherine Sachs Collection to the Philadelphia Museum of Art. The gift, comprising nearly 100 works, includes masterpieces by luminaries such as Ellsworth Kelly and Jasper Johns, exceptional pieces by major British and German artists, and important works of outdoor sculpture, large-scale photography, and video art.