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The Poet and His Muse

c. 1925
Giorgio de Chirico, Italian (born Greece), 1888 - 1978
Though many of his paintings predate the start of Surrealism, Giorgio de Chirico had a profound impact on the movement. His starkly lit structures, desolate expanses, and inanimate figures are echoed throughout Surrealist landscape and portraiture. De Chirico’s uncanny merging of classical and modern imagery also helped define a new mode for evoking memory and fantasy in the visual arts. In this painting, created during the moment of the artist’s most direct involvement with Surrealism in Paris, mannequins represent a poet, seated, with his muse, whose toga falls back to reveal an interior of colorful blocks and tools....

Object Details
Jean Crotti, until 1932; sold through Marcel Duchamp (Crotti's brother-in-law) to Louise Arensberg (1879-1953) and Walter C. Arensberg (1878-1954), Los Angeles, 1932 [1].1. According to provenance notes made by Marcel Duchamp (letter of 8 Sept. 1951 to Arensbergs,PMA Arensberg Archives, CA Use Tax 1951), he acquired the painting for the Arensbergs from Crotti's private collection in 1932.

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