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Margit Pogany, Hungarian, 1879 - 1964

Margit Pogany, an art student living in Paris, sat for a portrait with Constantin Brancusi in 1910 or early 1911. Brancusi’s sculpture of Pogany gained immense notoriety for its shockingly austere, smoothly machine-like appearance when first exhibited as a plaster cast in New York in 1913. In the same year, having returned to her native Budapest, Pogany made this work, her only known self-portrait, with her face half-hidden in shadow and a pensive hand-on-cheek pose similar to the Brancusi portrait. Pogany, a Hungarian Jew, was documented as a Holocaust survivor after the Second World War and resettled in Australia in 1948. Her family sold her painted self-portrait to the museum, whose collection includes two versions of Mademoiselle Pogany by Brancusi in white marble (1933-24-1; 1950-134-21).


Object Details
From the artist to Mrs. Y. Gellert, Hartwell, Victoria, Australia (the artist's sister) [1]; sold to the PMA through her grandson, A. S. Forgas, Mt. Waverley, Victoria, Australia, June 13, 1966 [2].1. According to her great-nephew A. S. Forgas, Margit Pogany lived in Paris (except for a sojourn in her native Hungary from the start of World War I to 1922) until 1948, when she moved to Melbourne, Australia, where she lived until her death in 1964. 2. See copies of correspondence with A. S. Forgas in curatorial file.

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