Saint Mary Magdalene Preaching
Probably a right inner wing from an altarpiece; companion panels in the Statens Museum for Kunst, Copenhagen (Sp. 717); Museum of Fine Arts, Budapest (1338); Staatliches Museum, Schwerin, Germany (G. 196, G. 198); and (formerly) the Kaiser Friedrich Museum, Berlin (2128; destroyed)
Master of the Magdalene Legend, Netherlandish (active Brussels), active c. 1480 - c. 1520
Geography:
Made in Netherlands (historical name, 15th-16th century), Europe
Date:
c. 1500-1520Medium:
Oil on panelDimensions:
48 3/8 x 30 3/16 inches (122.9 x 76.7 cm)Curatorial Department:
European Painting
Cat. 402Credit Line:
John G. Johnson Collection, 1917
Made in Netherlands (historical name, 15th-16th century), Europe
Date:
c. 1500-1520Medium:
Oil on panelDimensions:
48 3/8 x 30 3/16 inches (122.9 x 76.7 cm)Curatorial Department:
European Painting
* Gallery 217, European Art 1100-1500, second floor
Accession Number:Cat. 402Credit Line:
John G. Johnson Collection, 1917
Label:
This panel, originally part of a larger, winged altarpiece, presents three separate episodes from the life of Mary Magdalene. After the Crucifixion of Christ, the Magdalene went to the South of France. In the foreground, she preaches to the pagan population of Marseilles. In the upper left, a ship arrives at an island where a baby plays and his mother lies in a cave, a scene that refers to a miracle in which the Magdalene saved a shipwrecked mother and child. In the upper right of the painting, a monk is startled by a vision of the Magdalene being borne to heaven. The vision is missing because the panel has been cut, leaving only a few rays of light.
This panel, originally part of a larger, winged altarpiece, presents three separate episodes from the life of Mary Magdalene. After the Crucifixion of Christ, the Magdalene went to the South of France. In the foreground, she preaches to the pagan population of Marseilles. In the upper left, a ship arrives at an island where a baby plays and his mother lies in a cave, a scene that refers to a miracle in which the Magdalene saved a shipwrecked mother and child. In the upper right of the painting, a monk is startled by a vision of the Magdalene being borne to heaven. The vision is missing because the panel has been cut, leaving only a few rays of light.
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