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Composition

1934
Jean Hélion (French, 1904–1987)
With its cluster of distinct but overlapping shapes floated against a field consisting of flat strips or panels, Composition is an emblematic statement of its maker’s larger ideas on the evolution of painting in the twentieth century. According to Jean Hélion, a modern approach required that the painter abandon the representation of three-dimensional space and assert the picture field as a flat, right-angled surface. This shift, in turn, made possible a new concept of painted figures as collections of abstract components in a state of capillarity, or surface tension. For Hélion, this elimination of weight and gravity completed the process of sweeping away outdated pictorial methods based in old-fashioned realism. With that change accomplished, the painter’s task was to explore potentially endless arrangements of elements of various shapes, sizes, and colors in a new state of equilibrium or balance.

Object Details

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