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Portrait (Dulcinea)
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Portrait (Dulcinea)

Marcel Duchamp, American (born France), 1887 - 1968

Made in France, Europe


Oil on canvas

57 5/8 × 44 7/8 inches (146.4 × 114 cm) Framed: 60 1/2 × 47 7/8 × 2 3/8 inches (153.7 × 121.6 × 6 cm)

© Artists Rights Society (ARS), New York / ADAGP, Paris / Succession Marcel Duchamp

Curatorial Department:
European Painting

* Gallery 282, Modern and Contemporary Art, second floor (d’Harnoncourt Gallery)

Accession Number:

Credit Line:
The Louise and Walter Arensberg Collection, 1950

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This work is an erotic examination of time and movement, a portrait of a mysterious woman that Duchamp noticed on the street and imagined in various states of undress. Studying Étienne-Jules Marey’s (French, 1830 - 1904) and Eadweard Muybridge’s (American (born England), 1830 - 1904) experiments in chronophotography and beginning to develop a formal language for depicting motion in painting, Duchamp portrayed his invented character of Dulcinea here in five successive positions—each bearing less clothing, as if stripped over time. Presenting a series of static images to resemble the frames of a motion picture, Duchamp invites the viewer to animate them mentally into a fluid movement. The resulting motion portrait prefigures both his Nude Descending a Staircase, No. 2 (Philadelphia Museum of Art, 1950-134-59), painted in January 1912, and the Bride at the center of The Large Glass (Philadelphia Museum of Art, 1952-98-1).


Louise Arensberg (1879-1953) and Walter C. Arensberg (1878-1954), Los Angeles, by c. 1918 [1]. 1. Visible in a photo of the Arensbergs' New York apartment taken by Charles Sheeler c. 1918. The Arensbergs moved from New York to Los Angeles in 1921.

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