Exhibition
River of Forms
Giuseppe Penone’s Drawings
About
Discover transformative works by artist Giuseppe Penone that explore the relationship between human experience and the natural world. River of Forms examines the central role that drawing plays in his practice and how it has informed many large sculptural works from the 1960s until today.
Nature has offered deep inspiration for the artist throughout his career. Penone incorporates natural materials such as wood, stone, clay, coffee, graphite, charcoal, leaves, and other media in his intensely tactile works, leaving the marks of his own fingerprints, breath, and even teeth.
Celebrating the artist’s extraordinary recent gift of drawings and artist books to the museum, this exhibition of nearly 200 works on paper and a selection of sculptures reflects Penone’s extraordinary range of techniques and materials, and his belief in art as a means of understanding our place in the world.
Image Gallery

Maldoror
Giuseppe Penone

Project for Projection, Plaster Cast, Slides
Giuseppe Penone

Vegetal Gaze
Giuseppe Penone

Project for Hand of Earth
Giuseppe Penone

Pins
Giuseppe Penone

Project for Mirroring Contact Lenses - Looking at the Road
Giuseppe Penone

It Will Continue to Grow Except at that Point
Giuseppe Penone

Eyelid of Glass and Terracotta
Giuseppe Penone

To Change the Image (Project) n.4
Giuseppe Penone

One More Year of the Tree
Giuseppe Penone
Curators
Carlos Basualdo, Keith L. and Katherine Sachs Senior Curator of Contemporary Art, with Research Associate Dr. Lara Demori
Sponsors
Supporters
River of Forms: Giuseppe Penone’s Drawings has been made possible by the Directorate-General for Contemporary Creativity by the Italian Ministry of Culture under the Italian Council program (2021).
Additional funding is provided by the Daniel W. Dietrich II Fund for Excellence in Contemporary Art, Barbara B. and Theodore R. Aronson, Ginevra Caltagirone, Ms. Jennifer S. Rice and Mr. Michael C. Forman, Susan and James Meyer, Agnes Gund, Katherine Sachs, Thomas and Alice Tisch, Constance and Sankey Williams, and other generous donors.
Support for the accompanying publication was provided by Gagosian, Marian Goodman Gallery, and Susan and James Meyer.