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1992

Cross Cultural Pictograms

Mei-ling Hom

American, born 1951

Working primarily as a sculptor, Hom examines the complexities of her life as a woman, an artist, and an American of Chinese descent. This print includes the Chinese character for jung (center row, far left), meaning “center”—used in the word for China (jung guo) meaning “center country.” The other shapes are invented symbols that describe the artist’s frustration with the prevalence of language offerings other than her ancestral tongue in American schools. The bound characteristic of the forms, seemingly wrapped in thread, evokes further cultural references, such as the former practice of binding women’s feet in China.

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Resources

Cross Cultural Pictograms

To create this work, Mei-ling Hom printed nine pictograms, or symbols, on paper, which she then cut and folded into a shallow 3-D construction.
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Full Spectrum: Prints from the Brandywine Workshop

Cultural identity, political and social issues, portraiture, landscape, patterning, and pure abstraction are among the subjects highlighted in the exhibition, Full Spectrum
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Full Spectrum: Grabados Del Brandywine Workshop (Spanish)

La exposición Full Spectrum: Grabados del Brandywine Workshop celebra el cuadragésimo aniversario del Taller Brandywine en Filadelfia con el obsequio al Philadelphia Museum of Art de cien grabados en memoria de la difunta directora del museo Anne d’Harnoncourt. El taller promueve el grabado como arte y respalda la participación de artistas plásticos y audiencias de origen étnico y nacionalidades diversas. Algunos de los temas que se destacan en la exposición son la identidad cultural, asuntos políticos y sociales, retratos, paisajes, patrones decorativos y abstracción. La exposición se presentará en el museo desde el 7 de septiembre al 25 de noviembre del 2012.
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Mei-ling Hom, Cross Cultural Pictograms, 1992 | Philadelphia Museum of Art