Exhibition
Unexpected Surfaces
About
Works of art made on unexpected materials, like postage stamps, newspaper, and plants, can produce curious and beautiful visual effects. Sometimes an artist uses uncommon elements to provide a playful take on what they create, challenging the definition of art. At other times, the choice of surfaces provokes sober commentary on race, gender, and materialism.
This installation considers an overlooked component of prints, drawings, and photographs—the support or base layer—juxtaposing works from the collection that are rarely seen together.
Material Effects
Artists can achieve distinct visual effects—like shape, texture, color, luster, and transparency—by working on unorthodox materials. Silk provides a shine not possible with matte paper. Plastic also has a reflective quality. Materials typically discarded can be transformed into a base for a collage. Traditional surfaces can also be manipulated to become a work of art with no additional media applied.
Everyday Materials
Many artists adapt familiar paper and packaging products for use as a support. While they sometimes use these materials because they are readily available, many choose to work with found objects, elevating commonplace things to the realm of fine art.
Image Gallery

Church Fan: Missionary Sister Gertrude Morgan
Sister Gertrude Morgan

Untitled (ZD 13)
Franz Kline

Cai Guo-Qiang 2008 Postage Stamps: Peony
Cai Guo-Qiang

Painting
Joan MirĂł

Un Lac du Tyrol
Jean-Baptiste-Camille Corot

Cardbird V
Robert Rauschenberg

M7
Toyin Ojih Odutola

Female Figure
Natalia Sergeyevna Goncharova

Large Shaker Colander
Mona Hatoum

Wild Edible Drawing #3
John Cage
Curators
Theresa A. Cunningham, Margaret R. Mainwaring Curatorial Fellow